Antje Duvekot & Seth Glier

Antje has extensive touring experience, criss-crossing the US and Europe many times. She is a compelling live performer and has been invited to play some of the top festivals including The Newport Folk Festival as well as the Mountain Stage, Philadelphia and Kerrville Festivals. Internationally, she’s headlined the The Celtic Connections Festival in Scotland and the Tonder Festival in Denmark. She’s the winner of some of the top songwriting awards, including the Grand Prize in the John Lennon Songwriting Competition, the prestigious Kerrville (TX) “Best New Folk Award” and, in one of the nation’s top music markets, the Boston Music Award for “Outstanding Folk Act”, three of the top prizes in the singer songwriter world.

Singer-songwriter, Antje Duvekot is poised to unveil her fifth studio album, “New Wild West”, on September 15th. According to Duvekot, this collection of songs marks the pivotal juncture of mid-life and represents a new rung on the ladder of healing from trauma. The songs on “New Wild West” signal a genuine shift in Duvekot’s relationship with some of the enduring themes she has grappled with over the years. “On the whole”, says Duvekot, “my older songs sought to disarm trauma by bluntly acknowledging its destabilizing nature and creating a space in which to exist with that sensation, both for myself and my audiences. In contrast, the newer songs have the teeth and tenacity to openly confront and defy trauma. As such, I feel very warmly towards this collection of songs. They are long overdue dissidents”. Duvekot’s amplified voice in mid-life carries a protective fierceness that resonates across the album. Songs like “Girl on a Wire” and “Evolution” salute the perseverance we all apply to our human journey towards finding our voice. Duvekot says of hers, “I crawled into music as a protective vessel when I was a teenager. It lent me safety and allowed me to stay open and let in more continuous sunlight than I could have, otherwise. I want to pay back that loan. Many of the songs on ‘New Wild West’ do that”.

The album “New Wild West” came to fruition through the collaboration of Duvekot and esteemed New England singer-songwriter Mark Erelli after a joint tour inspired the idea. Over the course of a year, Duvekot recorded most vocals from her home, while Erelli laid down the majority of instrumentation and production in his basement studio with notable guest performances by Seth Glier, Robby Hecht, Winnie Horan, John Gorka, Richard Shindell, and Kenny White. The tracks were mixed and mastered in Woodstock. Consistent with the album’s central theme of pushing beyond comfort zones and embracing new frontiers, the cover art was generated by an AI, which Duvekot admits made her considerably uncomfortable at first: “The AI-generated image is evocative and uncannily fitting, yet I was uneasy about its non-human origin. In the end, I could not resist the poetry behind that discomfort, given the theme of the album!”

“New Wild West” is lush with the poignant poetry that is the hallmark of every Antje Duvekot release. The album’s title track, “New Wild West,” encourages someone in a historical position of privilege to accept impending progress with a gently patronizing sense of sympathy. “Open Waters” espouses authenticity and bravery, in contrast to “[those who] have volunteered to be chained by fear. From one pioneer to another: it’s not that we aren’t scared, but I’ll meet you there, out in the open waters.” “Girl on a Wire” revisits a tightrope metaphor that once ran through Duvekot’s 2009 song “Vertigo,” where the protagonist feared “I will break all my bones; I lied about the Vertigo.” In “Girl,” the protagonist, instead, “walks a tightrope in the eye of the storm…I am the girl who out-dared gravity…you can keep your Phoenix and SpaceX and Richard Branson, this is me flying, this is me dancing.” The opening track on the album, “Evolution,” echoes a similar sentiment, celebrating growth (and literal evolution) and inviting us to “marvel at how far we came since the early dog days of our prehistoric dawn. Back when the phases of the moon were still just phrases without a tune…But I see you now and Holy cow, look at you now.”

The piano track, “Dylan Thomas (1996-1998),” was inspired by Duvekot passing by the gravestone of a two-year-old inside a cemetery while on tour. In it, she gives thanks for the grace of time: “I know now what I owe, and I shall speak it in your name. It’s to drink freely from that well and not dwell one more day in the walls of shame.” Moving past self-pity into ownership, she declares “I am no unlucky one.” Some thematically stand-alone tracks include “Anwesenheit,” an Earth Day song commissioned by the Goethe Institute, and “Lottery Ticket,” written on assignment for a podcast. Additionally, there’s the sultry “Traces,” which describes the romantic chemistry felt across a telephone line while dating during Covid.

Yet another testament to the powerhouse that is Antje Duvekot, “New Wild West” is a sonic and lyrical knockout that marks a newly blazed trail in Duvekot’s songwriting career, celebrating the mid-life transition into a greater sense of self. As always, Duvekot deftly captures the essence of the collective journey that is the human condition, and Mark Erelli hits it home with exquisitely executed musical orchestration.

https://www.antjeduvekot.com/

Seth Glier

The earth speaks to us in a myriad of ways — through ice cores, through uplift and erosion, through tree rings — languages we have the potential to restore our literacy in. Reconnecting with these quiet messages has set Seth Glier, an avid mushroom forager and a Grammy-nominated artist from Western Massachusetts, on a path of channeling nature’s longing for communion with humanity into song. His new album Everything is a collection of eight songs inviting us to imagine a future in which humans and the planet are re-aligned into mutual restoration. 

Each song presents a practical climate solution with concrete optimism.“What if this is the beginning, not the beginning of the end,” the album opens with bristling energy and hope on “Rise,” an anthem about rewilding. “Finally Home” is a celebration of regenerative farming with driving doo wop vocal harmony. “Mammoth,” written from the perspective of a wooly mammoth being brought back to life from frozen DNA, invites us to consider the blip of human history against billions of years of evolution. The album’s guest stars Crys Matthews, Hayley Reardon, and Windborne elevate the record with surprise from the stark choir arrangement of “Birches” recorded a capella in an old church to “My Body Remembers,” a flowing meditation on the transmission of healing, EMDR & The Language of Trees. The album’s title track was inspired by an experience Seth had while foraging. “When I picked up the chantarelle mushroom and brought it towards my nose I first smelled sweet apricot and then my spine straightened suddenly. The feeling was like déjà vu. It was a first time, yet somewhere inside of me I had done this once before. I was reconnecting to a knowledge I had already known.” The album is an acknowledgement of the sacred connections that exist between all living things and is an active questioning of what might be possible collectively. Everything is a reminder that the future is something we always have an influence over.

​Seth’s gifts are an innate curiosity and a fierce desire to connect with other people. His musical acumen provides him with a vehicle for both. He was worked as a cultural diplomat for the US State Department and collaborated with musicians in Ukraine, Mongolia, China, and Mexico. Seth has shared the bill with a diverse list of artists ranging from the likes of Ronnie Spector, James Taylor, Ani DiFranco, & Glen Campbell. As a producer, music director, or studio musician he has collaborated with Sophie B. Hawkins, Tom Rush, Antje Duvekot, Richard Shindell, Doctora Qingona, Dar Williams, Nick Carter, & Cyndi Lauper. Seth is a five-time Independent Music Award winner and received a Grammy nomination for his album The Next Right Thing. With a commitment to using songwriting as a tool for positive change, he has written with the students in Parkland, FL for the “Parkland Project,” cowritten with soldiers at Walter Reed, and is an advocate for autism awareness citing his autistic brother Jamie as his greatest non-musical-musical influence.

https://sethglier.com/