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Doors 6PM/Show 7PM
At a glance another string band, Salomé Songbird has been honing their distinct take on acoustic music – self described as scathing lullabies – for live audiences around Colorado. Band Members Ariele Macadangdang, Joy Adams, and Bryan Dubrow originally met in the mid 2010’s and reunited in 2022 with ambitions to push themselves – and audiences – musically and emotionally.
As an “eclectic, free spirited acoustic trio” Salomé Songbird’s sound “comes from each individual’s musical background blending together in sync.” Their professional histories span old time and bluegrass, to jazz, pop, and death metal; members have performed with artists including Darol Anger, Nathaniel Rateliff, The Flobots, Kygo, Ben Folds, and Dave Liebman. As a trio they channel this variety of influences into original music inspired by mental health, religious trauma, and cartoons.
Salomé Songbird released their debut single “Jellyfish” in January of 2025.
Rooted in tradition with an ear toward the future, contemporary folk duo Rakish embody earnest musical exploration and an infectious playfulness on their new album Now, O Now. Fiddler Maura Shawn Scanlin, acclaimed for her expressive playing, was raised in North Carolina’s Appalachian Mountains. Her songwriting and clawhammer banjo technique hint at regional old-time ballads. Further north, guitarist Conor Hearn grew up steeped in the venerated Washington, D.C. Irish music scene and developed a keen interest in literature and poetry. His setting of James Joyce’s poetry on the title track as well as “Lightly Come or Lightly Go” epitomizes the duo’s approach: the dextrous alchemy of the old and the new into something wholly Rakish. The pair’s deep musical connection and unbridled love for pushing traditional sounds forward is striking. Just listen to the fiddling on “765” featuring trancey electronic dance production by Jamie Oshima or the epic tune “The Morning Glory” which is set atop an evocative, melancholic drone. It’s clear Rakish refuses to be pigeonholed into one genre and are most comfortable occupying the inbetween. On Now, O Now they journey through Celtic and Americana styles, deftly showcasing how to bring forth something new from the deep well of tradition.