BRIEF HISTORY OF SWALLOW HILL
What is Swallow Hill | Staff |
Board of Directors |
Honorary
Advisory Council
Over the years, Swallow Hill has changed
locations four times. In 1980, it had just three classrooms and an
office. Today it has expanded to 18 classrooms, a recording
studio, a café, offices and two concert halls. In 1994, Seth Weisburg, a former Executive Director, described Swallow Hill as a
"musical community center." As we celebrate our 28th anniversary,
the voices of Swallow Hill remind us of a rich history and a
promising future.
Let's take a trip through time from the
1960s to today.
1960s. The Roots of Swallow Hill
Swallow Hill's roots are shared with the Denver Folklore Center (DFC).
Harry Tuft established it in 1962 in the Swallow Hill neighborhood
of Denver. It eventually expanded to fill most of a city block.
The DFC held an instrument store, repair shop, music school,
concert hall, record store and bead store.
Folk musicians in Denver for a
performance would stop at the Denver Folklore Center for supplies,
visit Harry and often put on an informal show. Among the artists
who passed through the DFC were Ramblin' Jack Elliot, Judy
Collins, Joan Baez, Doc Watson and the Reverend Gary Davis.
1970's. Swallow Hill is Founded
The Denver Folklore Center Concert Hall was founded in September
1971. Some of the performers who made appearances in the hall
include Bonnie Raitt,
Ry Cooder, Elizabeth Cotton, Taj Mahal, Utah Phillips, Katy
Moffatt and Bette White. In 1976 the Rocky Mountain News
described the Denver Folklore Center as "something with a
personality, an identity, all its own ... a showcase for local
talent which respected that talent ... a business ... operated on
a personal, friendly basis ... a place of good reputation among
artists in many other cities."
By the late 1970s, however, the Swallow
Hill neighborhood was in decline and financial concert hall losses
forced Harry Tuft to rethink the future of the Folklore Center.
Harry and many of the Center's supporters decided to create a
non-profit organization to preserve folk music and provide a venue
for performances, and Swallow Hill Music Association was born.
February 1979 saw the formation of the
first Board of Directors: Geoff Withers, Roz Brown, Emmie Hewitt,
Bill McCreary, Tom McMillan, Elissa Meyer and Larry Shirkey. In
March, the newly formed Swallow Hill Music Association took over
the concert hall and music school from the DFC. A three-day
benefit concert on March 16-18, 1979 helped to celebrate Swallow
Hill's opening.
1980s. Swallow Hill's Early Years
The
1980s saw Swallow Hill through many beginnings. The Denver
Folklore Center and Swallow Hill Concert Hall moved to 440 South
Broadway in April 1980. The building was an old two-story house
with a business storefront tacked on. The DFC's store and repair
shop were on the first floor--three lesson rooms, an office and
restrooms. Unable to find a suitable concert hall space at a
reasonable price, Swallow Hill arranged concerts at various
locations in the Denver area.
Throughout the 1980s, the official
newsletter called Simple Gifts was published, Swallow Hill
put on their first student-teacher concert, and the music school
closed and reopened. Swallow Hill Music Association celebrated its
10th anniversary and found its first permanent home on Pearl
Street.
1990s. Growing Pains Swallow
Hill entered the 1990s with its first capital campaign to remodel
the new Pearl Street building. Projects to improve the facility
were underway and the Swallow Hill Choir was formed. But among
these exciting events, there was also tragedy. The unexpected
death of young student and performer Stephanie Sibson in 1990 was
a great loss for Swallow Hill. Her family and friends worked to
improve the library and dedicated it in her memory—The Sibson
Library, now temporarily located in the Café.
The 1990s brought the beginning of the
Thursday night jam sessions and the first Folkathon, a "non-stop,
three-day folk orgy," named by Harry Tuft. It included fine local
talent, food and crafts, children games, all-night jam sessions,
and dance demonstrations. Swallow Hill also opened a record store
featuring folk and traditional music recorded by Colorado artists.
Swallow Hill programs were booming, but
the school's outgrowth was outpacing available space. Faculty and
students had to be turned away and programs were put on hold. By
1995, the Board of Directors and the staff weighed their options:
remodel the Pearl Street building, which would still not provide the
amount of space needed, or look for a new location. In 1997, the
location for Swallow Hill's current home at 71 East Yale Avenue was found, and the new
facility was opened to celebrate Swallow Hill's 20th anniversary
in 1999.
2000s. Ever
Expanding Many people have contributed to Swallow Hill's
success. In particular, Julie Davis believed so much in Swallow
Hill's mission that in 1984 she became instrumental in reviving
the music school, directing it from 1986 to 1995, in addition to
her teaching duties. In 2002, the school was officially named
after her. She has continued to be a member of the faculty to this
day. Now the Julie Davis Music School at Swallow Hill provides a
valuable and affordable extra-curricular educational resource to
the community, with more than 50 music instructors involved in more
than 240 adult classes and 70 children's classes annually.
In 2004 Swallow Hill achieved the coveted
SCFD Tier II status. The Scientific and Cultural Facilities
District is the main source of funding for Swallow Hill. By
acquiring Tier II status, Swallow Hill has access to more
discretionary funds and is now at the same level of the Colorado
Symphony, Opera Colorado or the Colorado Ballet.
With more than 2,100 members—some of whom
are also volunteers—Swallow Hill now provides a place to
celebrate music that is rarely heard elsewhere in the Rocky
Mountain Region.
What is Swallow Hill | Staff |
Board of Directors |
Honorary
Advisory Council |